Tuesday, December 6, 2011

David Mayfield Parade - Live in Portland, ME 12.9.11


The third monthly Avett Brothers appreciation evening will be on Friday, December 9 from 5-8:00 PM at Flask Lounge on Spring Street, downtown Portland. The David Mayfield Parade will be taking the stage at 6:15(ish) and the opener is Marc Pinansky of Township (starting around 5:30). This group, and David especially, put on the most energetic show this side of the Avetts (when they aren't on tour together). Buy tickets HERE.

Monday, December 5, 2011

The Story of Dead Man's Clothes by Don Dumont

The Milford Motel

I’m thinking: my arms are cold, when did mist get this wet? Let’s do this already before somebody sees me and calls the cops.

Somehow, despite the free-for-all time seems to have had on the Milford Motel, the door that leads to the owner’s living quarters stands untouched, an immaculate deep green beacon, barricaded only by the remnants of a screen door. Thanks to the overcast sky, wet blacktop, and the dull white painted siding, my attention is forced to it. Somewhere in the distance, a dog is barking. It’s impossible to get to the door without first stepping onto the surrounding porch, then ducking under the drooping balcony, surrounding the ground floor like a weeping willow. Once there, the screen door, more akin to cheesecloth, peels off its hinges easily. Reaching out I grab hold of the cold, black, metal doorknob and begin to twist. It grinds in its socket as the bolt removes itself from the door jam. To my surprise the door swings open easily and with barely a sound. I stepped inside quickly, wanting to finally escape the ever-growing drizzle.

Laminate cracks under my feet as I walk a little further in and begin to orient myself. The first room that I enter is the kitchen. The grimy windows above the sink in front of me filter out most of the light, but after a minute or so my eyes adjust and I am able to take it all in. The sheer amount of stuff crammed into this room is absurd. Any type of dinnerware you could ever imagine, made out of glass or ceramic, is represented; all meticulously placed on shelves, chairs, countertops, any surface that could support them except for the floor. Almost like the floor had to be avoided at all costs. The floor itself is scattered with dust and broken bits of plaster from the walls and ceilings, gathered into neat little piles over the entire floor, like a forest of anthills.

From the side of my eye I see something wave, like cloth almost, from around a corner and disappear! I look curiously in its direction and follow slowly. This leads me into a brown-carpeted living room off of the kitchen to find more of the same debris-piles on the floor. This time however, all the usual accouterments you might find in a living room, VCRs, stereo parts, tapes, records, couch cushions, are stacked like little monuments, miniature Stonehenge, making a maze that requires all of my concentration not to bump into. Me being me, I couldn’t bare the thought of making a false move and knocking anything over. I’m doing my best to navigate the living room labyrinth. With my eyes to the floor, trying not to step on a remote control cenotaph, just out of my vision, I see it again. I’m sure of it. Only this time I can see it looks more like a shirtsleeve, and the movement seems more frantic and even impatient.

Whenever you watch a horror film and something like this happens you immediately start thinking ‘What an idiot! I would never just follow some apparition beckoning me into the dark.’ But here I am doing just that. My curiosity had been fallow for so long and the arcanum of this place had found it.

I moved slowly at first around the corner to catch another glimpse of fabric trail down the hallway. Then I picked up my pace, jumping down the ten foot tunnel, yellowing wallpaper blurring beside me until I almost gored myself on a crystal doorknob. The door in front of me, cracked and white, was slightly ajar and swaying a few millimeters on its hinges.

A splinter of gray light points out into the hallway. With my enthusiasm draining I try to push the door open. No luck. It won’t budge any farther. I take a deep breath of stale, musty air and put my shoulder to the door, shoving hard. I feel a great weight shifting, sliding over the barely visible carpet. I begin to see that a diaphanous curtain is draped over the door, blocking my view of the room inside. I put my head through the gap I had made and feel my chest being squeezed between door and frame. The curtain is unbelievably heavy on my face. The dust and mildew collected on it make it impossible to breath and I start to panic with my body stuck halfway in and halfway out of this veiled room. I frantically struggle, trying to make some kind of progress either way to free myself. I’m certain that I’m going to drown in grime! In a sudden dusty burst I’m birthed into the room.

I wipe my face, trying to clear my nose only to find the air itself was just as congested. Searching for breath, I find myself in a small eight by eight foot room sitting atop a waist deep pile of clothes, with every fashion mistake from the 70s stacked beneath me. I get lost thinking about their owner, the now dead motel keeper, when a small nudge brings me back. Still half in a trance, dizzy from the lack of oxygen, I notice an open suitcase across from me and hear an almost inaudible whisper, like polyester friction, saying “Take us with you.”

Interview with Laura Cortese of the Poison Oaks


What have you been thankful for of late?

Matt Malikowski...because he saves Christmas everyday.

Your music is called a 'mix of ancient fiddle styles and open-hearted original pop' on your website. Regardless of labels and whether they properly represent music, how do you feel you ended up making the style of music that you are making these days?

I always listened to music. My faves as a kid were Elvis, Otis Redding, Pavarotti and anything Motown or Stax. Followed at age 12 by Early U2 and Guns and Roses. I guess the first part of my playing life was really all about being part of a community. I learned more tunes and songs and more about my instrument to be a bigger part of a community of fiddlers. I didn't really know what kind of non-fiddle music they listened to. The more I learned about music the more I was driven to create the landscapes of music I heard on my parents records. The last few years has been one long experiment in taking a group of songs and not limiting ourselves by genre to just create landscapes.

Could you walk me through the important parts of your musical career; the ones that you really feel changes or formed you?

Living for a year in the Berklee dorm surround by music 24/7....the one day of my life I spent 7 hours practicing, fiddle camp growing up because it showed me community, creativity and collaboration, peeing my pants but only a tiny bit just before walking out on stage at Madison Square Garden to play Dear Mr. President with Michael Franti and Patterson Hood for Pete Seeger's sold out 90th birthday concert...19,000 people = slight loss of bladder control.

What was the motivation / idea behind the EP series?

The EP series was an extension of the experimentation we're doing which eventually became The Poison Oaks. That's really my main focus right now. But, there are some friends I make music with when I see them...mostly for fun...and I knew those sounds wouldn't get captured in The Poison Oaks and I wanted to have some snapshot of those special sounds. An EP series seemed like a fun way to do a few of the same songs and a few unique songs per session that would really show what drives these different collaborations....Simple Heart is an extension of the Sub Rosa (Rose Polenzani's songwriter cabaret-esque thing) girl harmonies. Two Amps One Microphone is an extension of my ongoing collaboration with Jefferson Hamer (he's in The Poison Oaks too) and The Acoustic Project, which I tour with as well, is really back to my roots of fiddle music and folk songs. The girls I grew up with playing tunes and songs we love together.

Who else would you really enjoy collaborating with?

Jeez...Sam Amidon AGAIN, James Murphy (LCD Soundsystem), tUnE-YarDs.

You've done a fair amount of international touring, do you find that the response to your music is noticeably different depending on your location?

Yes and no. The biggest difference is people taking a chance on new music. In Europe I have found that people consider live music and music in general a part of life. They go out to hear musicians they haven't heard at their local venues. They often buy the CDs and continue following your music. But in the US and Europe once someone is at the show the response seems the same.

What does success as a musician look like to you?

Time for creativity...which I guess means having some help with the business side of things...which probably means some level of income from people liking your music.

Are you a FT musician or do you have another job to help pay the bills?

Full time all the way. and full time really means all the time. You wouldn't want to see my to-do list from day to day. I've actually never had a "day job". I worked at Johnny D's as a busgirl and then a hostess when I was in college mostly just to see the shows before I was 21. I'm lucky to get to do this. I believe in what music does for the human spirit. Playing music, hearing music, dancing to music...it is humanizing.

You grew up playing music; what would you say to young people who want to have music be their life?

Other than practice, practice, practice...I guess I'd say don't wait to try it. Say yes to opportunities that come your way. There are so many ways music can BE your life...performing is only one option, there is recording music, running a venue, promoting music, teaching, etc...many of the people you meehttp://www.blogger.com/img/blank.gift in the "industry" have played or do play music even though they have another role as a professional in the music industry. Try it, go for it...if it feels good keep doing it. If it doesn't feel good modify the way music is fitting into your life to make it feel better. I had one friend who played in bands, toured as a side man, made his own records...He often felt anxious about life and his future. One day he decided to go back to school and within in three or four years he was making music for commercials and movies and is having a blast just geeking out at home not traveling and loving life.

Additional thoughts?

The Poison Oaks added one more show before 2012! It is FREE and open to the public.
December 13th doors at 8pm / O'Brien's Pub / 3 Harvard Ave in Allston, MA / Check it out HERE