Monday, February 22, 2010

Joy Kills Sorrow – Darkness Sure Becomes This City CD Review


Starting the album off, singer Emma Beaton soothingly carries you through several of the more country compositions. It may come as no surprise that 2006 John Lennon Songwriter contest winner Bridget Kearney wrote most of the highlights of the album. She also wrote some of the most lyrically cliché songs (rivaling the literary qualities of John Mayer at his best).

“Books” is a slow moving pleasantry which, although enjoyable, doesn’t hold a candle to the beauty of a song like “Thinking Of You And Such”. On “All the Buildings” though it is easy to lose sight of that beauty with lyrics such as, “Why don’t we stay in my room / waste away the afternoon … all our favorite songs / we can prolong.” Not everything needs to be a literary masterpiece, but one can not rely on music alone (unless you are the most talented group of musicians alive).

As far as that goes, this should be one of the most talented groups of musicians out there. They have a full-ride to Berklee mandolin player in Jacob Jolliff, a flatpicking champion with guitarist Matthew Arcara, and a Canadian folk singer of the year with singer Emma Beaton. At the same time while listening, the desire is that they showcased that skill a little more.

The highlight of the album actually happens to be “New Shoes”, a Caleb Klauder cover. It just goes to show that even the best singers and songwriters sometimes need a little help from their friends.

Three Day Threshold – Straight Outta The Barrel CD Review


There is an old joke that goes a little like this, ‘What happens if you play a country song backwards?’ The answer is that you get your car back, your girl back, and your dog back. In the case of Three Day Threshold, the answer would be that you sober up.

TDT’s newest album, which they claim was ‘inspired’ by a trip to the Jim Beam distillery, is to country music what Old Grand Dad is to Jim Beam. The musicianship is there; rockabilly guitars a la Stray Cats, beautiful banjo work, talented steel guitar and drumming. The issue is that the album sounds more like a parody than anything else. There are only so many ways you can say that you love whiskey, and believe you me; TDT expresses that sentiment in every possible way.

Lead singer Kier Byrnes rambles through all eleven tracks like a tipsy man makes his way through a barroom holding one too many drinks. The end result is that they create an album of music that will appeal to folks who don’t find straight up country music that appealing.

For the hearty whiskey drinker, ‘Whiskey River’, ‘Barroom’, ‘Coffee/Whiskey’, and ‘Jim Beam’ are all love ballads to some extent. For everyone else, they probably just signal that there are a few more people who should probably be on the wagon. Whatever the lyrics express to you, the music is that of a very talented band whose hard work has earned them some well deserved accolades.

Elsa Cross Live Review


Barley Pub // Dover, NH // February 7, 2010

Elsa Cross should have been touring with Johnny Cash during his American Recordings days. Unfortunately, he’s long gone and folks prefer to hang onto the past sometimes rather than dare take a step into the future. So, instead of touring with Cash, Elsa is playing a tiny stage with no sound man in Dover, New Hampshire…for now.

The set began with some technical difficulties which were no big deal thanks to her attitude about it. It’s hard to be upset about waiting for something when the person you are waiting for is so thoughtful about it.

She dove right into ‘The Burden’, off of her first album Unavailable and barely slowed down from there except for a mid-set break about 45 minutes in. Her choice of covers was impeccable, Ernest Tubb, obscure Johnny Cash, vintage Dwight Yoakam. Her sound walking the line between old time country (thanks to her voice), and rockabilly. Eddie Spaghetti and The Reverend Horton Heat would both fall in love with this woman.

Even with a talented band backing her, the two main instruments are her voice and her guitar. Her voice, which was all over the place, hitting highs and lows, carrying songs with almost no music, even daring to yodel, is what makes her show special. It isn’t that her more American (and occasionally) Dolores O'Riordan-sounding voice is flawless, it’s that it flawlessly goes with her music. One without the other might be average, the two together is terrific.

Elsa went through twenty songs, playing almost her entire first album, and playing a couple as of yet unnamed ones from her forthcoming album, which she recorded at opener Jon Nolan’s Milltown Recording Company in Newmarket, NH.

The closest you are going to get to Nashville in New Hampshire is wherever Elsa Cross is playing.

Freedom of Choice in Education

I recently had an article published in the NELMS Midlines Newsletter and wanted to make (a slightly abridged version) available to folks who are not NELMS members. Hope you enjoy and thanks for reading!

In schools these days many believe there isn’t much room for choice when there are so many standards that need to be taught and so many state and national tests checking to make sure they are being taught. So when students are given the opportunity to choose what they would learn, they will most certainly jump at the opportunity.

For the last month and a half of the school year, I decided to test out a more personalized method for teaching the specific skills each student still needed using content of their choosing. The project proved to be one of the most popular and one of the most motivating and successful of the year with most students opting to challenge themselves instead of taking the easy route, which could be considered typical of 8th graders in May and June.

The idea was that with a personalized curriculum, it would be possible to determine what skills still needed to be learned by a student or groups of students (such as constructing a realistic story line, properly using simile/metaphor, connect text to self/world, etc.) and then have them work towards acquiring those skills while learning about a subject they are especially interested in.

As a student at the University of New Hampshire taking graduate level classes in education I had one professor who stood out to me, Heather Barker. Her class was the only class where, as students, we were given a skill we needed to learn and then given somewhere between four and eight options for the work that we would like to create to show that we had in fact learned the necessary skill. This made a profound impact on my teaching because it made me realize that it is possible to personalize education and although it means more work in the short term, it can mean a great deal more interest and success from the students in the long term.

Students were given the opportunity to pick a subject that was of interest to them and then together we worked on creating what it was they would be working towards accomplishing through learning about this topic. In this manner students were given pretty much free reign to choose a topic that really interested them. There wasn’t a great deal of brainstorming that needed to go on about topic ideas, once the first student decided on unicycling and students found out that I approved it, they almost all had an idea immediately for something that they were hoping to learn.

Some of the projects from the sixty-eight students in the grade included learning American Sign Language, writing and promoting a short novel, leaning to play lacrosse, communicating with animals, fly tying for fly fishing, and learning to ride a unicycle. The skills being learned ranged from direction writing to presenting to note-taking to writing a logical story line, and everything in-between.
Allowing students to choose something they were interested in doing, and then having them decide what it is they wanted to accomplish by the end of the prescribed time put the real power in the hands of the students. For example, one student who chose to study American Sign Language, decided on writing an instruction manual teaching the alphabet for other students to reference and this student also signed a full song to the class. This student’s area of need was two fold; instructional writing and presenting.

We worked together to decide what her final product would be and we figured that the manual would prove her instructional writing ability while her demonstration would strengthen her presenting skills. The student was given enough choice to feel truly invested in the project and I still had enough of a voice to let her know what I felt they still needed to work on. I completed this process with all of the 8th graders and there was not a single student who disagreed with what I felt they needed to work on as well.

Some students were wary of the idea, thinking that it might be unreasonable to allow them to choose their own topic of study. Erica, who chose to learn the guitar said, “To be honest, when the choice project was initially introduced I thought (Mr. Fersch) was a little crazy. I didn’t think that every student would actually be able to learn something that they wanted to learn, but I liked the idea that we were controlling our education. Although I had my doubts, I was excited to begin the process.” As the process went on though, Erica commented about how happy she was that she was believed in enough to try to learn something of her choosing.

For students such as Erica it was a welcome opportunity to really challenge themselves, a genuine in-class enrichment opportunity. Students who tended to be above grade level in their reading and writing tended to choose more artistic projects (music and performing arts primarily) and were able to intelligently incorporate writing and reading into an area of their life that they might either be lacking knowledge about or have a strong thirst for knowledge in.

As a part of this project there were an unprecedented number of community members who volunteered their time and talents to help students out including a fly fishing expert, a local actress, and even three members of the UNH Women’s Lacrosse team. This is a perfect opportunity to garner community interest and support. Next year I know to contact parents or other community members such as participants in the local senior center, to see what skills they might have that might be usable in the classroom when this project rolls around.

One volunteer, who is in his seventies, was delighted to be invited to the school to share his love of fly fishing. He worked with 3 students, but one in particular, bringing supplies to tie flies. “This was a great opportunity for me to listen to the young men and share a personal interest with them. I loved the idea that they are learning English skills while doing something I know they will enjoy.”

The project certainly had many aspects I would consider to be works-in-progress; there were students who even when given the opportunity to choose their own topics for learning had a hard time picking one, or staying with one when they finally did make the choice. A small handful of students were clearly not used to the freedom or responsibility and when the class broke apart on a daily basis to work independently, in small groups, or with my help, they would tend to either just sit and wait for one-on-one assistance or not complete much work.

This project also requires a tremendous amount of time and effort on the teacher’s part as it is not possible to just make a format for it that you could use year-in, year-out. The aspect of choice is integral to the project and as such a personalized course of study related to the topics would be impossible (because not only with the interests change, so will the needs).

Grading was another aspect of the project which took a tremendous amount of time and effort on my part because an individual plan had to be created for each student as to what they were planning to be learning. As a result it wasn’t just sixty-eight sets of directions for how to potentially go about learning something, it was one hundred thirty six sets of directions, one half about a language arts skill or skill set, and the other half about a topic of interest the student chose. Their writing component though was graded using our schools determined writing rubric which made at least that aspect of grading easier.

For all of the hard work, considerable amounts of time used to prepare for it, and for the organized chaos it occasionally created in the classroom, the end results were more than enough as payoff. Almost every student completed and presented a project that they were proud of. Almost every student shared their feeling of being empowered by being given an opportunity to control at least a part of their education. And every student wrote intelligent and insightful reflections about the project and many gave terrific advice on how to make it run more smoothly in another year.

The students’ projects were the topic of conversation on our team. Other teachers and administrators would drop by and ask the students about their progress. The Dean of Students challenged one of the students who was learning to play poker. The principal helped a students thread the sewing machine and watched her create three new outfits. Both were able to attend several of the student presentations.

If, in fact, the goal of organized education is to create lifelong learners, maybe Derek, who chose fly fishing, summed up the project best; “Now that I think about it, I shouldn’t need school to do this. I could have…I should have tried to learn it at home.”

With the projects completed there are more than sixty proof-positive examples that if you give young people an opportunity to have a real say in what they are learning, they are capable of accomplishing amazing things.

Tuesday, February 16, 2010

Drug Rug, Nina Violet, Movers and Shakers, Mikey French Fries Live Review

Middle East Upstairs // Cambridge, MA // January 15, 2010

When the Middle East upstairs is packed before a show even starts, you know something good is about to happen. Mikey French Fries (and the Casual Encounters) started the show with some great alt-country and old fashioned classic rock, two styles that remained throughout the night. Even when the music morphed to rock more than anything else, a country feel still permeated the music.

The crowd was most wound up before the Movers and Shakers took the stage. Working around the absurd posted rules for dancing, the crowd was way into the whole set which makes sense – it was so full of energy it was hard to not be dragged in. The whole band, from the woodsy, flannelled Dan Wallace on bass, to the ever entertaining Marc Valois on guitar, organ, and singing, rocked the entire time. Playing many tracks from ‘Larrabee’, Movers and Shakers’ set was textbook for how to attract new fans; keep the energy high, the songs upbeat, and the crowd invested.

Nina Violet and her band took the stage after and M & S and were definitely the most laid back of the acts for the night. The harmonic singing of Nina and (occasionally) of her sister Marciana Jones was a highlight of the night. Both have wonderful, beautiful voices and their singing absorbed the room’s attention.

Drug Rug, who are sometimes touring and always adored for their live shows, put on an entertaining and upbeat show. Singer Sarah Cronin knows how to entertain, whether she’s dancing, flailing, or just letting her voice do all the work. They made their way through a long set of new and old, many from 2009’s, ‘Paint the Fence Invisible’. A great show, proving once again you don’t necessarily have to be doing something new to be doing something great.

Coolzey – The Honey CD Review


Modesty should earn respect, not braggadocio. So although Lil’ Wayne will (unjustly) find more success rapping than some tattooed art school grad/Midwestern rapper like Coolzey, that doesn’t mean he deserves it.

The Honey is an interesting album. It’s not that he’s a parody of rap per se (like one of his influences…Weird Al), although he is imitating other styles any rap fan has heard. So what’s he doing?

Mash Biz Markee, Weird Al, and Slug’s personalities together; you might end up with something along Coolzey’s lines. Listen to “Little By Little” and try not to want to befriend him. Listen to “Retina Scan” and remember why you fell in love with hip hop in the first place.

He isn’t just a poor mans imitation. With guests like Sadat X (from Brand Nubian) and Copywrite, he’s proven he can make impressive friends in the rap world. There are, at times, a storm of sounds reminiscent of Jedi Mind Tricks (thank you Italian sounding samples) and at times an overabundance of references to loving ladies and weed. Coolzey doesn’t sound like a thief or copycat, he sounds like a fan and a fun loving guy.

And you know what? It feels good to hear a rapper mock himself, credit his influences, address stumbling blocks, and so much more – it’s nice to hear someone who isn’t just writing raps about how great he is. Imitation is the sincerest form of flattery, and a lot of folks should feel awfully flattered after hearing this.

Annie Crane – Through the Farmlands and the Cities CD Review


Folk music used to be so 1960’s. For some reason, it’s picking back up again and any Northerner with a banjo, steel guitar and affinity for Ryan Adams seems to be releasing the next great folk record. For Upstate New Yorker Annie Crane, her first full length release lumps her into this pile, although she would land nearer to the top than the bottom for one reason; her band.

Although classically trained in voice, it’s hard at times to understand where the odd faux-Irish sounding accent is from and it takes some wearing in to appreciate her voice. Once you settle down into the album and get to a track like “A Song for Dolly” it no longer matters. The music is more alt-country than folk at times, and that’s where she shines the most. With fiddles and knee slapping drums, her voice just becomes one more instrument and thanks to the heartily populated backing band, this is an alright thing.

In general the albums music is plain and upbeat enough that it would be possible to imagine sitting in a field of say, daisies, holding hands with some strangers, contemplating world piece. It’s also plain enough that some tracks will likely slip right out of your memory right after you hear them. It’s upbeat enough though at times that you will be forced to wonder whether or not sitting in that field would actually be a bad thing. All she needs to do now is tune that one instrument.

Tao Rodriguez-Seeger Band Live Review

Stone Church at Zion Hill // Newmarket, NH // January 7, 2010

Nepotism should be one of the seven deadly sins. The idea that, as the child of someone talented, you must be talented too is an absurd one. Therefore it must be doubly hard for someone like Tao Rodriguez-Seeger (grandson of folk legend Pete Seeger) to convince folks he isn’t just a poor mans imitation of old granpappy.

Tao, after joining the opening band for a few songs, ended up walking on stage, in his New Jersey style tight jeans and denim shirt (think the Boss circa 1984) and wasted no time. ‘We got a little murder ballad for you,’ was all he said before his four man band busted into the more rockabilly rockn’roll than folk ‘Long Neck Bottle’. In fact, the only thing that seemed to be folksy about him at all during the entire night was his storytelling songs and his occasional political bent on covers like his fathers’ ‘Bring ‘em Home’ and Jim Garland’s ‘Harry Simms’. He strummed his banjo like a rock star, howled into it, and jumped around on stage like a madman.

Raised in Nicaragua, it was no surprise he played some Spanish tunes, including an old caballero number. His voice, which is pleasant in English, is beautiful in Spanish. Tao sounded more at home singing in Spanish, although the audience seemed more at home listening in English.

The only thing missing was a crowd as enthusiastic as Tao himself. After around an hour and a half on stage, Tao invited the openers (Chris Merenda and the Wheel Specials) up for a couple covers. He told the crowd that the show was basically over but that they would just stay up there and mess around for a while. Mess around they did, musically, it was all business, and it was all sorts of good.